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Apple Logic Express 7 Reference

Apple Logic Express 7 Manual Online:

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Apple Logic Express 7 User Manual
Apple Logic Express 7 User Guide
Apple Logic Express 7 Online Manual

Text of Apple Logic Express 7 User Guide:

  • Chapter 21 Control Surface Support 489 The Install Window The Install window is used to automatically scan for devices, or to install them manually. Selecting the Models First, select the desired devices in the Install window before you scan or manually add them. You may select one or more models. If you select more than one model, Logic performs the desired operation

  • Apple Logic Express 7, Chapter 5 The Environment 173 Monitor Object The monitor Object displays all MIDI events passing through it, and retains the last 32 such events. You will need to resize it to see more than 5 events at a time. To create a monitor Object, select New > Monitor. The monitor shows all events (MIDI and meta) passing through it. It remembers the last 32 events, with the newest events shown at the bottom of the list. You can resize it to show from 1 to 32 events. (You can make it even bigger, if desired). Monitors are very handy as both testing, a

  • 338 Chapter 15 Score Editor Parameters Hides/Shows the left column of the Score window (Display Parameter box, Event Parameter box, Part box, and so on). Instrument Names Hides/Shows the names of (used) track instruments, to the left of the score display. Page Rulers Hides/Shows rulers in Page Edit view. Measurement units can be centimeters or inches. White Backgrou

  • Apple Logic Express 7, Glossary 503 bounce To process recorded or streamed MIDI and/or Audio Regions with any applied effects, such as delay or compression, combining them into one audio file. In Logic, you can choose between Realtime and Offline bouncing. Offline bouncing is faster, but doesn’t allow you to apply live automation or record real time audio input. Bounce button You can bounce the output of any Output Object to an audio file by clicking the Object’s Bounce button. See also bounce. bus The term

  • Apple Logic Express 7, 518 Index Live mode 180 Playback mode 180 routing 508 S sample destructive editing 288 dipslaying as sample bits 280 displaying as sample bit 280 increasing level 295 looping 281 loop smoothing 284 moving 287 phase invert 289 pitch shift 292 processing 291 removing noise 289 resizing 282 reverse 290 time stretch 292 view scale 278 sample-accurat editing 280 sample-accurate editing 284 Sample Editor 275 Anchor Point 275 opening 276 stereo file 276 sample rate 508 sample rate conversion 274

  • Apple Logic Express 7, 214 Chapter 6 Logic’s Mixing Facilities The Audio Instrument Object features the following elements (see “Elements of the Audio Object” on page 196): Inserts, Bus Sends, Input, Output, Automation, Pan, Level, and Level meter, Mute/Solo. Accessing Multiple Outputs Logic supports the EXS24, UltraBeat, and AU-compatible instruments that are capable of addressing multiple outputs. In addition to the “Mono” and “Stereo” submenus of the Audio Instrument menu, a “Multi Channel” submenu lists all Instruments that offer multiple outputs. A plug-in needs to be inserted from the “Multi Channel” submenu, in ord

  • Apple Logic Express 7, Chapter 11 Sample Editor 279 View > SMPTE Time Shows the scale in SMPTE time (in Hours:Minutes:Seconds: Frames). The time scale begins at the song start point (with the SMPTE offset, if applicable). When you use this scale, the absolute SMPTE value of the source clock is shown on the X axis. View > Bars/Beats… Shows the scale in Bars, Beats, Divisions, and Ticks, just like the Bar Ruler in the other time-related windows. The “zero point” is represented by “1 1 1 1”, but lengths are measured from “0 0 0 0”. Absolute and Relative Ti

  • Apple Logic Express 7, 390 Chapter 15 Score Editor Voice Separation Method Additional staves are always treated as additional Voices. There are two different methods for assigning notes to voices. The appropriate parameters are found to the far right of the Score Style window, below the Assign header: • A fixed split point (between two lines in the Split column). This is a defined pitch, which determines the absolute border between two Voices. Notes above it, or at the same pitch, are assigned to the upper Voice. Notes below it are assigned to the lower Voice. This method is very simple, but has the disadvantage that none of the Voices, even briefly, can ever cross the bord

  • Apple Logic Express 7, 318 Chapter 13 Hyper Editor First Data Byte The bottom line shows the -1- parameter, where you can determine the first data byte of the displayed event. As an example, if Note is set as the event status, you can determine the pitch (note #) that should be displayed in this event definition line. If the edited MIDI Region is played by a mapped instrument, a pull-down menu that features the names of the input notes (drum sound names) appears here. As with the MIDI channel, the checkbox determines whether (if checked) only events with the defined first data byte shou

  • Chapter 15 Score Editor 399 Reset Note Attributes This command (Attributes menu or key command) resets all Note Attributes to their default settings. Note that this also affects symbols directly attached to notes (accents, fermatas, Jazz symbols, and so on), which will be erased by a Note Attributes reset. List of All Note Attributes The following list shows all Note Attributes and provide

  • Apple Logic Express 7, Chapter 15 Score Editor 375 The Display Parameter box settings not only affect the display of notes recorded in real time, but also that of notes inserted with the mouse, or via step input. If you insert a short note, such as a 32nd note, it can only be displayed at its original length if Qua is set to 32 or shorter. If Qua is set to 8, the 32nd note will be displayed as an eighth note (although it will still be played back as a 32nd note). A note inserted with the mouse may also display as a longer value if Interpretation is on for that MIDI Region Settings Different S

  • Chapter 6 Logic’s Mixing Facilities 209 AAC Sound Settings Compressor Selects the compression algorithm used for AAC encoding. By default, this is MPEG-4 Audio. Rate A number of predefined sample rates are available in this pop-up menu, ranging from 8000 kHz to 48,000 kHz. Size These radio buttons allow you to select either an 8 or 16 bit output fil

  • Apple Logic Express 7, 198 Chapter 6 Logic’s Mixing Facilities As there are obviously different classes of Audio Objects, a number of sub-folders (Audio, Instrument, Aux, and so on) are automatically created in the /Applications/ Logic/Channel Strip Settings folder when you first save a Channel Strip setting. Channel Strip settings are identified by the “cst” file extension. Important: Please do not attempt to change the Channel Strip Settings folder structure. Note: Further information about Inserts and the use of plug-ins can be found in the first part of the Plug-In Referen

  • Apple Logic Express 7, 114 Chapter 3 Arrange Window Muting Regions Often, when arranging, you’ll want to test musical ideas by muting certain Regions. This is what the Mute tool (see “The Tools” on page 18) is designed for. You can mute individual or selected Regions by clicking on them with the mute tool. Clicking a muted Region reverses this state (unmuting). Muted Regions are indicated by a dot that precedes the Region name, and are shaded (dependent on the Preferences > Display > Arrange > Muted Regions are textured setting). Note: You can perform the same function with the Mute Folders/Regions key command. Soloin

  • Apple Logic Express 7, 104 Chapter 3 Arrange Window If the MIDI channel is set to All, you can edit the parameters of the whole multi instrument. A useful facility for globally changing the MIDI port, for example. Adjusting the Sound of a Track The Program, Volume, and Pan parameters transmit program changes, volume controllers (#7) and pan controllers (#10) respectively. If the respective box is unchecked, the default value of the MIDI device itself is used. The corresponding value is only transmitted if you place a check in the box, by clicking in it. If the

  • Chapter 20 Song Settings and Preferences 473 MIDI Remote Global button for controlling Logic via MIDI Commands. Clicking on the Configure button will launch the Key Commands window (see “To assign a function to a MIDI message:” on page 43). General: MIDI Thru SysEx with MIDI Thru function Incoming SysEx messages are passed through the computer to the MIDI output(s), along with other

  • Apple Logic Express 7, Chapter 20 Song Settings and Preferences 483 Note: If your devices can follow MTC (MIDI Time Code), you should leave this option unchecked, and make use of Logic’s MTC functions. MIDI Time Code (MTC): Pickup Delay This parameter should generally be set to zero to ensure the quickest possible pickup time while Logic is in MTC sync mode. There are, however, some devices which seem to transmit imprecise MTC commands when first started. As a result, sync might not be perfectly reliable, and there could be an offset every time synchronization is established. In such situations, you ca

  • Apple Logic Express 7, Chapter 7 Automation 235 • A long Shift-click allows a rubber-band selection. The selected area will toggle. • Moved automation data will automatically erase any data which exists in the destination area. Relative and Absolute Value Changes of Selections There are two choices available when changing the values of a selection of nodes: • Clicking on a line or node enables you to change all values by the same absolute amount. • Clicking outside a line, within the selected area (a node or outside a node), changes all values proportionately, by a percentage value. Track Automation: Select All, Scaling Command-clicking on either; the numerical or graphical value displays in th

  • Apple Logic Express 7, Chapter 8 Global Tracks 241 Selecting and Moving Global Events Global events are selected with a simple click, and are moved and/or changed by dragging them with the mouse. We recommend that you keep an eye on the help tag while doing so. Multiple selection is achieved by Shift-clicking on the desired events. This can even be done in combination with the selection of Regions on Arrange tracks. To select several subsequent events on the same Global track, you can use the rubber band selection method, while holding the Contr

  • Apple Logic Express 7, Chapter 15 Score Editor 363 Compound Time Signatures Apart from 2/4, 3/4, 4/4, 6/8 and the alternative display options for 4/4 and 2/2, there are also Part box objects for freely definable time signatures (A/B), and compound time signatures (A+B/C). When you insert one of these, a dialog box opens: • The Nominator can be anything between 1 and 32, the Denominator can be 1, 2, 4, 8, 16, or 32. • The Beat Grouping entry field will open when you select A+B/C, allowing you to determine the grouping of beats in compound time signatures. It is sufficient to just enter the numbers—223, for example. As soon as the entry fie

  • Apple Logic Express 7, 96 Chapter 3 Arrange Window Note: If you hold down Option before grabbing the track number, no extra Regions on the track will be selected. If no Regions were selected in the first place, an empty track with the same track instrument is created at the destination position. If the Cycle function is switched on, all Regions in the Cycle area are moved from the old track to the new track. The musical result is not any different, because the new track is played by the same track instrument. Moving Regions onto a Track The function Region > Move Selected Regions to Current Track moves all selected Regions from different tracks onto the se

  • Apple Logic Express 7, Chapter 17 Tempo 449 5 Paste the tempo events from the Clipboard (Command-V). 6 A position input box appears at the first tempo event, allowing you to alter the bar position. If the first tempo change is not at the start of the bar in the passage, be sure to alter the bar number, and leave the beat, sub beat and frame or tick values unaltered. 7 Press Enter. The copied tempo changes will be selected, and you can undo the operation if necessary. Other Functions The entries in the tempo list interact wit

  • Apple Logic Express 7, 14 Chapter 1 Using Logic • If you press Option-Control, the mouse wheel can be used to zoom in/out in both directions. Note: Logic also supports mice with two wheels. The second wheel works like the first wheel, but with interchanged axes. Input Options This section discusses the various methods available for interaction with parameters, and data entry tasks. Mouse Input Checkboxes Checkboxes are square boxes that are “checked” when you click them, in order to activate an option (or function). Click the checkbox a

  • Apple Logic Express 7, 348 Chapter 15 Score Editor Hyper Draw can only be activated in Linear view, and when a single MIDI Region is displayed. If you switch to another mode (Page Edit view, or full score), the Hyper Draw area disappears. The view settings are stored, however, so when you return to single MIDI Region and Linear view, the previous Hyper Draw setting is recalled. The Hyper Draw display is horizontally scaled, in relation to the score display above it. Its height can be changed, by dragging the horizontal borderline with the mouse. A corresponding value scale is di

  • Apple Logic Express 7, Chapter 9 Audio Window 259 Making Fine Adjustments The graphic display in the Audio window is optimized for quick and simple organization of audio files and Regions. This involves displaying as many things as possible simultaneously in the window. Given this, the finest resolution for positioning the start and end pointers, or the Anchor, is limited to units of 256 samples. This is usually adequate, particularly if search zero crossings is switched on. On occasion, however, you need to make precise adjustments—down to individual sample word level. Drum loops are a good example. The Sample Edit window is better suited to th

  • Apple Logic Express 7, 174 Chapter 5 The Environment Arpeggiator Object The arpeggiator turns chords into arpeggios. It plays the currently held notes— individuallyin a selectable pattern (up, down, random, and so on), and at a selectable speed that ranges between whole-notes and 768th-notes. The arpeggiator features a number of useful parameters including; note-length, repeat on/off and octave doubling. All of its parameters can be changed in real time through the use of MIDI controller messages. Important: Logic must be in play (or record) mode for the arpeggiator to work. To create a new arpeggiator, select New > Arpeggiator.

  • Apple Logic Express 7, 342 Chapter 15 Score Editor Graphic Export There are two ways to export Logic’s notation into other programs, as graphic images: PICT Export Using the Camera Tool You can save a part of a Logic score page (or a whole page) as an image (PICT format), and paste it into documents created with other programs (word processing and DTP software). Use the Camera tool to select the desired score section, using the “rubber band” selection technique. As soon as you release the mouse button, Logic creates a PICT file (or copies the selection to the Clipboard—see option below), encompassing the area you dragged the C

  • Chapter 6 Logic’s Mixing Facilities 205 2 Set the parameters in the Bounce dialog window (see below). 3 Press the Bounce button in the Bounce dialog window. 4 The ensuing file selector allows you to enter a destination folder and name for the bounced file. Note: Mono bouncing is possible when the Output Object is set to mono. In this situation, a mono

  • Apple Logic Express 7, 40 Chapter 1 Using Logic Find Function The Find field is used to find key commands by name or partial name: • The search is performed as you enter text. There is no need to press the Return key. • The Cancel button to the right (that appears as soon as any text is entered) clears any entered text, and displays all key commands. • The Find menu to the left (the magnifying glass) retains a history of recently used search terms. The Clear menu item erases the Find history. Note: The Find history is limit

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