iConnectivity iConnectAudio 4+ Owner's Manual

Text of iConnectivity iConnectAudio 4+ User Guide:

• iConnectivity iConnectAudio 4+, v.1.0 33 MIDI Channel Remap For each MIDI port, this matrix is for remapping – changing - entire MIDI channels to different ones, or just various data types (Pitch Bend, Channel Pressure, etc.). Remap Type (top left) selects whether to modify the input going to or the output coming from each port. Port is the familiar list of the16-channel MIDI ports available on the iConnectAUDIO4 + : the USB Device Jacks, USB Host Jack, and 5-pin DIN. In the screen capture above, incoming MIDI data to USB Device Jack 2 is being remapped as follows: Pitch Bend data on Channel 3 and Channel

• iConnectivity iConnectAudio 4+, v.1.0 34 For each MIDI port, this matrix is for filtering (removing from the datastream) any MIDI controller on any of the 16 MIDI channels. Filter Type (top left) selects whether to modify the input going to or the output coming from each port. Port is the familiar list of the16-channel MIDI ports available on the iConnectAUDIO4 + : the USB Device Jacks, USB Host Jack, and 5-pin DIN. In the screen capture above, MIDI Continuous Controller 7 (Main Volume) data to USB Device Jack 1 from the MIDI DIN port is being filtered from Channels 1-6 and 16. The entire list of 127 MIDI controllers is available for filtering under the drop-dow

• iConnectivity iConnectAudio 4+, v.1.0 13 Windows Driver Installation Download the Windows drivers here. You will see the following dialogs. Yes. ↓ Next. ↓ Next. ↓ Desktop icon is optional. ↓ Accept the agreement. ↓ Visual Studio Redistributable installed if needed. ↓ Next. ↗︎" Finish.

• iConnectivity iConnectAudio 4+, v.1.0 31 MIDI message - the status byte that identifies what it is (for example a note) – remains the same until further notice. Running status must be implemented correctly by the receiving device to work; we recommend enabling it only if you can confirm that this is the case. Port Information: MIDI in and out for each physical connection – the 5-pin DIN I/O jacks, the two USB Device Jacks, and up to eight MIDI devices connected to the USB Host Jack (if you’re using a powered hub) – has its ow

• iConnectivity iConnectAudio 4+, v.1.0 10 If both computer devices are iOS so there’s no iConfig software with an Audio Mixer, use the apps’ level controls to balance their relative levels. Otherwise, the second computer device appears in the Audio Mixer channel strip to the right of the first one; iConfig is already set up. Recording audio 1. The four Analog In Jacks on the front panel are routed to the first four inputs of both computer devices, i.e. to the USB1 and USB2 Device Jacks. DAWs and iOS devices will see them as available inputs to tracks for recording. All four combo Analog In jacks accept mics; Inputs 1&2 accept unbalanced Hi-Z instruments on ¼"

• iConnectivity iConnectAudio 4+, v.1.0 22 Device Info This displays information about the connected audio interface(s), including the firmware version. Note that the Device Name field can be edited, so you can give your interface a custom name.

• v.1.0 28 The following Audio Configuration Table shows the processing footprints for every possible configuration. Audio Configuration 1 2 3 4 5 6 Frequency 44100 Hz 48000 Hz 96000 Hz 44100 Hz 48000 Hz 96000 Hz Bit Depth 16 bits 24 bits Max USB Audio Channels 16 12 16 12 Option 1 Mixer Max. Sources 8 6

• iConnectivity iConnectAudio 4+, v.1.0 19 12, 13, 14, 15 Analog Out Jacks 1 – 4 ¼" balanced TRS outputs. The output is 13dBu/11dBV, a very high level, so please use caution to avoid overloading subsequent equipment in the signal path. Normally Analog Outs 1 & 2 would be connected to a stereo amp and speakers (or powered monitors). In a live application you could use Analog Outs 3 & 4 for a FOH (front of house) mix, or they might go to a second set of speakers or stereo effects unit in a studio. 17 – Headphone Jack For stereo headphones

• iConnectivity iConnectAudio 4+, v.1.0 21 Device Menu Switch Devices – Brings up the Device Selection dialog, allowing you to choose a different iConnectivity interface to be configured. All the following have a confirmation dialog so you have a chance to cancel before the operation: Save Current Settings – Write the current iConfig settings to the iConnectAUDIO4 + ’s flash memory. Restore Settings from Memory – Transfers the current snapshot from the iConnectAUDIO4 + ’s flash memory into iConfig. Restore to

• iConnectivity iConnectAudio 4+, v.1.0 7 Quick Start Guide Your iConnectAUDIO4 + is not just a standard audio or MIDI interface. Its audio and MIDI routing capabilities are far more flexible, and it can be configured for many different applications. This Quick Start Guide will help you navigate its features and understand the basics as simply as possible. BY DEFAULT THE iConnectAUDIO4 + COMES CONFIGURED FOR USE WITH A DAW. Audio hookup – connecting a Mac, PC, or iOS device 1. Connect a Mac or PC to USB Device Jack 1, using the supplied USB-A to USB-B cable. *

• iConnectivity iConnectAudio 4+, v.1.0 20 iConfig Software iConfig, the included software program for Mac and Windows provides access to the set-up and routing features in your iConnectAUDIO4 + , and it controls additional iConnectivity interfaces connected to your system. The active settings snapshot is stored in the interface’s onboard flash memory; please see the Device drop-down menu in the following screen shot. It can be copied into the iConfig software for editing (the “Restore from FLASH” command). iConfig works the sa

• v.1.0 3 Warranty iConnectivity warrants to the original purchaser that this unit is free of defects in materials and workmanship under normal use and maintenance for a period of one (1) year from the date of original purchase. The warranty applies only to registered iConnectivity users that register their product(s) within fourteen (14) days of time of origin

• v.1.0 6 What’s in the Box • The iConnectAUDIO 4+ • One Lightning-to-iConnectivity USB-B inline connection cable to connect the interface to an iOS device that uses this connector. (iConnectivity 30-pin Connection Cable sold separately.) • One USB-A to USB-B cable to connect the interface to a Mac or PC computer. • iConnect

• iConnectivity iConnectAudio 4+, v.1.0 11 - To enable phantom power for Analog Inputs 1&2 in Interactive Display, simply touch the 48V touch zone on the bottom row, then 1 and 2 on the top row. - To adjust the gain levels for Analog Inputs 1&2 on the Interactive Display, touch In on the bottom row, and 1 and/or 2 on the top row (depending on whether they’re independent sources or a stereo pair). Then use the Rotary Knob to adjust the levels. Subsequent touches of In on the bottom row toggle between Gain Set and Signal Level modes (as discussed abov

• iConnectivity iConnectAudio 4+, v.1.0 18 Rear Panel 7 Power Jack Please use only the supplied iConnectivity 12V/3A (36W) center positive transformer, or you risk damaging the device. This adapter operates over a range of 100-240V/50 or 60Hz, so it can be used internationally with wall plug adapters. 8 USB A Host Jack This USB 2.0 jack supports up to eight 16-channel MIDI Ports, divided among up to eight USB MIDI Class-Compliant devices. Connect, for example, a MIDI keyboard controller via its USB MIDI port instead of using 5-pin DIN cables. Up to 500mA – the USB power standard – is provided, enough to power a single device. Or connect up to eight USB MIDI devices via a

• iConnectivity iConnectAudio 4+, v.1.0 35 Troubleshooting No sound from speakers or headphones connected to the interface Please check that levels are turned up in the Audio Mixer tab in the iConfig software. In addition, check that the output source you’re monitoring is routed correctly in the Audio Patchbay tab. MIDI is not being received by the expected destination Please check the routing in the iConfig software MIDI Port Routing tab. No sound from an iOS device’s speaker/earphones/microphone The iOS device automatically uses the iConnectAUDIO4 + when it is connected. This deactiv

• iConnectivity iConnectAudio 4+, v.1.0 2 Interference with other electrical devices Radios and televisions placed nearby may experience reception interference. Operate this unit at a suitable distance from radios and televisions. Indoor use only To avoid the risk of electrocution and/or damage to other connected equipment, this equipment must not be used under wet or high moisture conditions. All interconnecting cabling must also be indoors. Should moisture suddenly increase, immediately disconnect power to the equipment. Power sources Ensure that correctly rated power outlets are used with the supplied power supply. Heat Keep this equipment away from all heat sour

• iConnectivity iConnectAudio 4+, v.1.0 23 Audio Patchbay This is a routing matrix with source audio busses across the horizontal axis and destination busses on the vertical axis. Think of it as “from” (audio sources into the patchbay) and “to” (destinations). Available Sources and Destinations: USB1 and USB2 (digital Audio Channels from the two Device Jacks); Analog (the four Analog Ins and four Analog Outs); the Analog Mixer (which controls the Analog Ins and Outs); and – only when enabled (see four paragraphs below) – the USB1 and USB2 mixers. Operation —There is one simple principle to bear in mind when routing audio in the iConnectAUDIO4 + : each Destination bus ma

• iConnectivity iConnectAudio 4+, v.1.0 12 IMPORTANT NOTES • No additional drivers are required for Mac or iOS, Windows driver available here. Set- up instructions here. • No Mac or iOS drivers needed. The iConnectAUDIO4 + is USB class-compliant, so it’s recognized automatically by Mac OS X and iOS for applications to pass audio and MIDI as soon as you connect it to either of the unit’s two Device ports. • IF YOU HEAR NOTHING FROM YOUR SPEAKERS OR HEADPHONES: please check that levels are turned up, either using the Interactive Touch Display or Audio Mixer tab in the iConfig software. In addition, check th

• iConnectivity iConnectAudio 4+, v.1.0 36 Specifications Audio Digital Performance 24-bit resolution A-D Dynamic Range:102dB (Single-ended) D-A Dynamic Range:106dB Supported sample rates: 44.1 kHz, 48 kHz, and 96 kHz Microphone Inputs Gain: 0- 60 dB (1 dB steps) Frequency Response: 20 Hz - 20kHz SNR: 110dB (1kHz, 1.2 Vrms, BW: 22Hz-22kHz, A-weighting, Unity Gain) THD+N: -99 dB (1kHz, 1.2 Vrms, BW: 22Hz-22kHz, A-weighting, Unity Gain) Line Inputs (Balanced) Frequency Response: 20 Hz - 20kHz SNR: 111 dB (1kHz, 10 Vrms, BW: 22Hz-22kHz, A-weighting)

• v.1.0 4 Table of Contents Warranty ........................................................................................................................... 3 Compatibility ..................................................................................................................... 3 What’s in the Box .....................................

• iConnectivity iConnectAudio 4+, v.1.0 17 The iConnectAUDIO4+ hardware Front Panel 1 & 2 Analog In Jacks 1& 2 XLR - ¼" Combo unbalanced mic/line/instrument inputs. Connect Hi-Z instrument inputs (electric guitars, basses, etc.) with ¼" plugs; they go through a -20dB pad, with a gain range of -20dB to +40dB in 1dB increments. Connect microphones with XLR plugs. The gain range is 60dB in 1dB increments. 3 & 4 Analog In Jacks 3 & 4 XLR - ¼" Combo balanced mic/line inputs. Connect line-level inputs (synthesizers, DJ rigs, etc.); they go th

• iConnectivity iConnectAudio 4+, v.1.0 16 1. Touch “Out” on the bottom row. - The LED turns green (Signal Level mode); you may want to touch it again to toggle it to Gain Set mode. 2. Touch “1” and “2” on the top row (or either one if they’re configured as a stereo pair, as they are by default). 3. Turn the Rotary Knob to adjust the level. Rotary Knob Push functions FUNCTION ROTARY KNOB PUSH COMMAND Mute all outputs Double push Save all settings to internal memory Single push Power down Push and hold until each meter shows a single red and a single amber LED Power up Single push (when powered

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