Creative 404 Owner's Manual
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3 - PCI Card & Interfaces The E-MU 0404 PCI Card 6 Creative Professional The inputs can be connected to any line level stereo signal from keyboards, CD-players, cassette decks, etc. Digital Breakout Cable S/PDIF Digital Audio Input & Output RCA phono jacks are the standard coaxial connectors used for S/PDIF (Sony/Philips Digital InterFace) connections. A single ja
Creative 404, 4 - The PatchMix DSP Mixer Mixer Strip Creation 24 Creative Professional Pre or Post Fader Aux Sends When you create a New Mixer Strip you have the option to place both Aux Sends after the channel volume fader and mute control or you can place them before the fader and mute. Post-Fader turns down the send level as you lower the volume of the strip. With Pre-Fader selected, you may still hear the effected signal returning from one of the Aux Buses with the volume fader turned down. With the Pre-Fader box selected, the Aux Send levels are completely unaffec
Creative 404, 7 - Appendix Sync Daughter Card Supplement E-MU Digital Audio System 69 7 - Appendix Sync Daughter Card Supplement SMPTE Conversion Warning: SMPTE and MTC do not provide sample sync for digital I/O. You must use Word Clock, or S/PDIF sync. One of the main functions of the Sync Daughter Card is to convert SMPTE (LTC) to MIDI Time Code (MTC) and vice-versa. The term “Host MTC” refers to MTC, which is generated or used by the host application (Cubasis, Logic, etc.). MTC is also available at the MIDI jack on the back of the Sync Card. SMPTE Options When the Sync Daughter Card installed in your system a SMPTE button in the PatchMix DSP mixer bec
Creative 404, 7 - Appendix Internet References E-MU Digital Audio System 81 Compliance Information United States Compliance Information FCC Part 15 Subpart B Class B using: CISPR 22( 1997) Class B ANSI C63.4( 1992) method FCC Site No.90479 Canada Compliance Information ICES-0003 Class B using: CISPR 22(1997) Class B ANSI C63.4(1992) method Industry of Canada File No.IC 3171-B European Union Compliance Information EN55024 (1998) EN55022 (1998) Class B EN61000-3-2 (2001) EN61000-3-3 (1995 w/A1:98) Australia/New Zealand Compliance Information AS/NZS 3548(1995 w/A1 & A2:97) Class B EN55022 (1998) Class B Japan Compliance Information
Creative 404, 4 - The PatchMix DSP Mixer The Session E-MU Digital Audio System 13 You can now create either a blank new session or you can create a session based on a factory template. The factory templates are pre-programmed with specific setups such as audio recording or mixing. The selector tabs categorize Template Sessions into two groups based on sample rate, 44.1kHz/48kHz or 96kHz. You can create your own templates by simply copying or saving sessions into the “Session Templates” folder (located in the PatchMix DSP folder on your hard disk). The “Se
Creative 404, 5 - Effects Core Effects Descriptions E-MU Digital Audio System 45 Freq Shifter This unusual effect is sometimes called “spectrum shifting” or “single sideband modulation”. Frequency shifting shifts every harmonic in the signal by a fixed number of Hz which causes the harmonics to lose their normal relationship. The more common pitch shifter, in contrast, preserves the harmonic relationships of the signal and so is better suited to creating “musical” harmonies. f You can also type in
E-MU 0404 Digital Audio System Creative Professional iii Table of Contents 1- Introduction ................................................................. 1 Welcome!.............................................................................................................................. 1 The System Includes: .......................................
Creative 404, 5 - Effects Core Effects Descriptions E-MU Digital Audio System 43 Distortion Most audio processors aim to provide low distortion, but not this one! The sole purpose of this effect is to add distortion, and lots of it. This effect provides “fuzz box” style, clipping distortion which is particularly effective on guitar, bass, organs, electric pianos or whatever. The input signal first passes through a lowpass filter. The Lowpass Filter Cutoff Frequency allows you to control the number of new harmonics that will be generated by the disto
Creative 404, 5 - Effects Core Effects Descriptions 38 Creative Professional 3-Band EQ This versatile equalizer provides two shelving filters at the high and low ends of the frequency range and a fully parametric band in the center. Up to ±24 dB of boost or cut is provided for each band. Note: The Wet/Dry Mix control on an equalizer should normally be set to 100% wet or unpredictable results may occur. Setting up a Parametric EQ 1. Turn up the gain on the band you are working with. This allows you to easily hear the effect of the filter. 2. Reduce the bandwidth if you are working with a m
Creative 404, 2 - Installation Install the Sync Card E-MU Digital Audio System 3 6. Do not force the E-MU 0404 card into the slot. Make sure that the gold finger connector of the card is aligned with the PCI bus connector on the motherboard before you insert the card into the PCI slot. If it doesn’t fit properly, gently remove it and try again. 7. Secure the card into the slot using one of the screws you placed aside earlier. 8. Attach the Analog and Digital breakout cables to the rear of the 0404 card. 9. Connect your audio cables to the breakout cables. Install the Sync Card 1. Unwrap the Sync Card if you have one and get ready to i
Index Numerics E-MU Digital Audio System 83 Index Numerics 1-Band Para EQ 37 1-Band Shelf EQ 37 1-Time Jam Sync, SMPTE 70 3-Band EQ 38 4-Band EQ 39 96kHz Operation 36 A AES/EBU to S/PDIF Adapter 76 Appearance, improving 76 ASIO direct monitor 19, 59 send 17 Attack, compressor 42 Auto-Wah 40 Aux Bus 23 Auxiliary Effects Assignment 29 Auxiliary Returns 29 Auxiliary Sends 23 used as extra mix bus
5 - Effects Core Effects Descriptions 40 Creative Professional Auto-Wah This effect creates the sound of a guitar wah-wah pedal. The “Wah” filter sweep is automatically triggered from the amplitude envelope of the input sound. Auto-wah works well with percussive sounds such as guitar or bass. The Auto-Wah is a bandpass filter whose frequency can be swept up or d
Creative 404, 2 - Installation Software Installation 4 Creative Professional Software Installation Installing the E-MU 0404 Drivers The first time you restart your PC after installing the E-MU 0404 PCI card, you will need to install the PatchMix DSP software and E-MU 0404 PCI card drivers. Windows 2000 or Windows XP The software is not compatible with other versions of Windows. E Serial Number - During the registration process, you will be asked to enter your serial number. The serial number is located on the back of the box and on the 0404 PCI Card. 1. After you have installed your audio card, turn on your computer. Windows automatically detec
Creative 404, 4 - The PatchMix DSP Mixer Mixer Strip Creation 18 Creative Professional The Insert Menu Right-Clicking over the insert section brings up a pop- up selection box containing various insert options. To Add a Send Insert: This type of insert send splits the signal at the insert point and sends it out to the selected destination. 1. Right-Click over the Insert section. A pop-up dialog box appears. 2. Select “Insert Send (to ASIO or other)” from the list of options. The following dialog box appears. 3. Choose one of the Send Outputs. Click on a destination to select it. 4. Click OK to
Creative 404, 7 - Appendix Useful Information 76 Creative Professional Useful Information AES/EBU to S/PDIF Cable Adapter This simple adapter cable allows you to receive AES/EBU digital audio via the S/PDIF input on the E-MU 0404 PCI card. This cable may also work to connect S/PDIF out from the 0404 digital breakout cable to the AES/EBU input of other digital equipment. Digital Cables Don’t cheap out! Use high quality optical fiber and low-capacitance electrical cables when transferring digital I/O to avoid data corruption. It’s also a good idea to keep digital cabling as short as possible (1.5 meters for plastic light pipes; 5 meters for high quality glass fiber light pipes). Ground
Creative 404, 7 - Appendix Word Clock In/Out E-MU Digital Audio System 75 Word Clock Word Clock Word Clock Termination ON Word Clock Termination OFF SYNC CARD DIGITAL BREAKOUT CABLE IN Digital Mixer S/PDIF Digital IN T - connector S/PDIF ADAT Optical This diagram shows the proper way to connect word clock if you don’t have a multi-output word clock generator. The last device in a Word Clock chain should have Termination ON.
6 - Working with ASIO Basic Recording 58 Creative Professional Record a Track f You can turn the metronome off by pressing the Click button on the Transport control. Double-click the ‘Click’ button to edit the click and countoff settings. 20. Press Record on the Cubasis Transport control and start playing. There will be a two bar count-in before recording st
Creative 404, 4 - The PatchMix DSP Mixer Mixer Strip Creation E-MU Digital Audio System 25 Level, Pan, Solo & Mute Controls The Pan control comes before the Level Control and Aux Sends in the signal flow. On stereo strips we use an unconventional pan section with two pan pots – one for the left part of the signal and one for the right part of the signal. This feature lets you to independently position both sides of the stereo signal. A conventional stereo balance control only allows you to turn down one side or the other. The Mute button does just what you would expect—press the button and the sound from that channel is c
Creative 404, 5 - Effects 96kHz Operation 36 Creative Professional To Overwrite or Save a User Preset This operation allows you to overwrite an existing preset with a newer version. 1. Select the user preset you wish to modify from the user preset menu and make any changes you wish. 2. Click on the Edit button. A pop-up menu appears. 3. Select Overwrite/Save. The current preset will be overwritten with the new settings. 96kHz Operation When operating at the 96kHz sample rate, the effect processors are completely disabled. H
Creative 404, 7 - Appendix MIDI Time Code (MTC) E-MU Digital Audio System 73 Duplicating SMPTE time code The Sync Daughter Card always generates clean SMPTE from the SMPTE output when reading SMPTE in. This time code is in sync with the incoming SMPTE and can be used to feed other devices in your studio or to clean up old SMPTE tracks. Copying SMPTE code from track to track produces deterioration of the signal with each generation, although one generation of dubbing will probably be OK. Other Tips for using SMPTE 1. Use ascending time code. Jumps in the code are OK as long as the SMPTE code jumps forward in time as the tape moves forw
Creative 404, 4 - The PatchMix DSP Mixer Input Mixer Strips E-MU Digital Audio System 15 Input Mixer Strips PatchMix DSP Line Input Mixer Strips are mono. The WAVE and S/PDIF strips are stereo. Each input mixer strip can be divided into four basic sections. Input Type The very top of the strip is labeled mono or stereo and displays the type of the assigned input. Input mixer strips can be added as desired and can be configured to input the following: Inserts You can drag and drop effects from the Effects Palette or Right-click to
Creative 404, 7 - Appendix SMPTE Background E-MU Digital Audio System 71 Stripe Mode This mode is used to record SMPTE time code onto an audio track of another recorder. SMPTE is output when the Start button is pressed in the System Settings menu and begins at the time set by the Start Time setting. MTC is also simultaneously output from the Sync Daughter Card MIDI out. SMPTE and MTC will continue to be output until the Stop button is pressed. See Striping SMPTE. SMPTE Background SMPTE time code was standardized way back in 1969 by the Society of Motion Picture and Television Engineers as
Creative 404, 5 - Effects Core Effects Descriptions E-MU Digital Audio System 47 Mono Delay 3000 A delay line makes a copy of the incoming audio, holds it in memory, then plays it back after a predetermined time. Long delays produce echoes, short delays can be used for doubling or slapback effects. Very short delays can be used to produce resonant flanging and comb filter effects (use feedback). Stereo signals are summed together before entering the Mono Delay. There is also a feedback path to send the delayed audio back through the delay line. When creating echo effects, the feedback controls how many echoes will be produced. A High Frequency Rolloff filter in the feedback path cut
Creative 404, E-MU 0404 Digital Audio System Creative Professional v Freq Shifter ..................................................................................................................... 45 Leveling Amp .................................................................................................................. 46 Mono Delay 100 ............................................................................................................ 46 Mono Delay 3000 ................................
Creative 404, 5 - Effects Core Effects Descriptions E-MU Digital Audio System 51 Stereo Reverb Reverberation is a simulation of a natural space such as a room or hall. The stereo reverb algorithm is designed to simulate various halls, rooms and reverberation plates. Decay time defines the time it takes for the reflected sound from the room to decay or die away. The diagram below shows a generalized reverberation envelope. After a short pre-delay period, the echoes from the closest walls or ceiling are heard. These first echoes, or early reflections, vary greatly depending on the type of room. Some time after
Creative 404, 7 - Appendix Word Clock In/Out 74 Creative Professional To Synchronize PatchMix DSP to an External Clock Source: 1. Make sure an external clock source is connected to the E-MU Digital Audio System hardware via the word clock or S/PDIF input. 2. Open the Session Settings dialog box. 3. Under the System tab, select External Source, then select either Word Clock or S/PDIF. 4. Press OK to close the dialog box. 5. Check the Sync section of PatchMix DSP to verify that the Locked indicator is illuminated. Devices can be connected in daisy chai
Creative 404, 6 - Working with ASIO E-MU VST E-Wire 64 Creative Professional E-MU VST E-Wire The hardware-accelerated effects of the E-MU Digital Audio System can also be used as VST inserts in Cubasis. E-Wire is a special VST/ASIO Bridge which allows you to use PatchMix DSP effects from within Cubasis with no load on your CPU. E-Wire VST incorporates smart time alignment technology that automatically compen- sates for system latencies and ensures proper synchronization of audio throughout the VST chain. In addition, E-Wire also allows you to insert outboard audio gear into the VST environment. E-Wire has three main components: �
Creative 404, 5 - Effects Core Effects Descriptions E-MU Digital Audio System 49 Speaker Simulator The Speaker Simulator provides realistic guitar speaker responses and is designed for use with guitar, bass or synthesizer. Twelve popular guitar amp speaker cabinets are modeled. There is only one parameter on this effect. Just select the speaker you want and listen. Normally this effect should be used with the Mix control set to 100%. Stereo Delay 100 The Stereo Delay 100 offers a true stereo delay line in that the left and right channels are kept entirely separate from each other. This effe
1- Introduction Welcome! E-MU Digital Audio System 1 1- Introduction Welcome! Thank you for purchasing the E-MU 0404 digital audio system. Your computer is about to be transformed into a professional quality audio processing workstation. We’ve designed your E-MU Digital Audio System to be logical, intuitive and above all, to provide you with pristine sound quali
Creative 404, 4 - The PatchMix DSP Mixer Main Section 26 Creative Professional Main Section The main section contains all controls for controlling the main mix elements as well as a “TV screen” for viewing the parameters of the current selected insert. The three buttons across the top of the main section select what is shown on the TV display. Input and output routings are graphically displayed. When an effect is selected (by clicking on the insert), the screen shows the available parameters for the currently selected effect. Below the TV screen is the Aux Bus section where effects, effects chains or other inserts can
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