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CAKEWALK PRO AUDIO Operation & User’s Manual

CAKEWALK PRO AUDIO Manual Online:

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CAKEWALK PRO AUDIO User Manual
CAKEWALK PRO AUDIO User Guide
CAKEWALK PRO AUDIO Online Manual

Text of CAKEWALK PRO AUDIO User Guide:

  • 8-2 Working with Lyrics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 The Staff View The Staff view is composed of a Staff pane and a Fretboard. When you Þrst open the Staff view, you may see only the Staff and not the Fretboard. Resize the Staff view by dragging its edges until you can see everything easily. When you save your Þle, whatever

  • CAKEWALK PRO AUDIO, 11-19 StudioWare A cluster widget is simply a rectangular container region. When you place any other type of widget so that its upper-left corner is inside the cluster, that widget becomes a part of the cluster. You can either place a new widget inside the cluster or move an existing widget into the cluster rectangle; either action makes the widget a part of the cluster. You can also nest clusters, so that cluster A contains cluster B, and so on. To create a nested cluster, you must create a new cluster B that is located inside A. You can do this in two ways: using the Cluster tool , or by Ctrl-dragging an existing cluster (making a copy of that cluster) ins

  • CAKEWALK PRO AUDIO, 7-18 When you combine events that overlap, you have two choices as to what happens to the overlapping audio: If you combine several events that do not overlap and have identical velocities, the new event has the same velocity as the original events. If you combine events that overlap or that have different velocities, the relative volumes of the events are preserved when they are combined and the new audio event is assigned a velocity of 103 (unity gain.) Note that the Combine command in the Audio view is different from the Combine command in the Track view. Applying Fades with the Draw Tool A fade is a gradual increase or decrease in volume. An i

  • CAKEWALK PRO AUDIO, 15-11 Synchronization Playing Digital Audio under SMPTE/MTC Sync Pro Audio gives you two choices for controlling audio playback when using time SMPTE/MTC Sync: Some digital sound cards (such as the Frontier Design Wavecenter or the Antex Studio Card) have external clock inputs. If you are using one of these cards, and an external clock source like a digital tape deck is the master timing source for the project, choose the Trigger and Freewheel option. The clock input on the audio card guarantees that there is no drif

  • CAKEWALK PRO AUDIO, 6-52 Filtering Events The Event Filter command lets you remove events from the MIDI data, keeping or passing through only those events that you specify. The Event Filter effect works almost identically to the event Þlter used by the Edit- Select by Filter command. For more information, see ÒEvent FiltersÓ on page 6-28. Adding Arpeggio The Arpeggiator command applies an arpeggio to its input and plays it back in real time. You can make it arpeggiate with a swing feel, or straight and staccato or legato, vary its speed and direction, and specify its range. Swing (%) The distortion of timing used to produce a swing feel to the echo. A value of 0% in

  • CAKEWALK PRO AUDIO, I Roland U-8 Appendix I: Roland U-8 You can control most of CakewalkÕs basic functions from the Roland U-8 Digital Studio, which this guide refers to as U-8. After U-8 and Cakewalk connect, the U-8 buttons for playback, recording, stopping, rewinding, and many other functions control Cakewalk. You can still use the mouse and keyboard while U-8 is on. Note: Turn the U-8 module off before you install Cakewalk. Otherwise, you will receive an error message. Turn the U-8 module back on when you have successfully installed Cakewalk, but before you launch Cakewalk. In this Appendix Connecting Cakewalk to U-8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

  • CAKEWALK PRO AUDIO, 2-14 Transposing Percussion You may be wondering why we did not transpose the percussion tracks. As mentioned earlier, in General MIDI each note in the percussion channel is mapped to a particular percussion instrument: a snare, a kick drum, a cymbal, a triangle, and so on. Transposing the percussion tracks will not change the pitch of each note but rather will change the instrument used to play each note! This is not usually the desired effect, so in general you would not use the Transpose command on percussion tracks. On the other hand, when a track contains events for only one percussion instrument (that is, all the notes are the same

  • CAKEWALK PRO AUDIO, 6-37 Editing Events aftertouch data. The Controllers pane is the lower half of the Piano Roll view. The Controllers pane looks like a graph; the horizontal axis represents time, and the vertical axis represents the event values. Each event appears as a single vertical line, and the height of this line shows the value of the event. The Controllers pane shows events for all the clips in a track or multiple tracks. You can only see one type of controller at a time, and you must select All Channels from the Cha

  • CAKEWALK PRO AUDIO, 7-37 Editing Audio Audio Effects Pro Audio provides the ability to use plug-in audio effects using MicrosoftÕs DirectX technology. Some audio plug-in effects are supplied with Pro Audio. Others can be purchased from third-party software manufacturers, and appear automatically in Pro AudioÕs menus once they are installed on your system. This section describes the effects that are included with Pro Audio. Using plug-in effects is similar to using the audio processing commands described above. The overall procedure is as follows: ¥ Select the audio data to be affected. ¥ Choose the effect y

  • CAKEWALK PRO AUDIO, 8-28 Adding Pedal Marks Pedal marks traditionally indicate where the sustain pedal of a piano is to be pressed and for how long. With Pro Audio, you can achieve the same effect by inserting a pair of symbols indicating when the sustain pedal controller is to be turned on (down) and when it is to be turned off (up). Unlike chord symbols, expression marks, and hairpin symbols, each pedal symbol corresponds to a MIDI event. The other symbols are purely ornamental, intended to provide a composer with a way to communicate suggestions or requirements to performers. Pedal event parameters are as follows: If the track i

  • CAKEWALK PRO AUDIO, 6-56 Transposing MIDI Notes The Edit-MIDI Effects-Cakewalk FX-Transpose command is a ßexible transposition feature. You can perform simple chromatic or diatonic transpositions, transpose from one key to another, or deÞne your own custom transposition. The transpose options are as follows: Parameter/Option... Meaning... Interval Specifies chromatic transposition Transposes notes by the specified number of steps. Diatonic Specifies diatonic transposition. Transposes notes by the specified number of scale steps within the specified scale. Key/Scale

  • 4-10 modes to determine what happens to those clips. When you save your project, you also save whatever recording mode you choose together with that project: Recording mode… How it works… Sound on Sound The new material is merged with any existing material. This means that any existing clips on the track are left unchanged and all newly recorded material is stored in new

  • CAKEWALK PRO AUDIO, 8-27 Notation Adding Hairpin Symbols Some musical phrases vary dynamically, increasing or decreasing in loudness for dramatic effect. Pro Audio lets you insert traditional crescendo and diminuendo hairpin symbols that convey this information to a performer, as shown here: If the track is split into treble/bass staves, hairpin symbols are allowed only below the treble staff. To Add a Hairpin Symbol... 1. Click the Draw tool . 2. Select the Hairpin tool . 3. Position the pointer below the staff (the pointer changes to a pencil when you are in a legal position). 4. Click to place a hairpin symbol. Pro Audio inserts

  • CAKEWALK PRO AUDIO, 4-34 Labeling Your Projects Pro Audio lets you attach subtitles, composer credits, copyright, and other information to your projects, as shown in the following table: To Change the Auto Save Settings. . . 1. Choose Options-Global and click the General tab. 2. To enable Auto Save, set either the number of minutes or the number of changes between saves. 3. To disable Auto Save, set both values to zero. 4. Click OK. From now on, your projects are saved automatically according to the settings you entered. Title The title for your song; prints automatically at the top of a Staff view printout. Subtitle For a subtitle or dedication; prints d

  • CAKEWALK PRO AUDIO, 8-33 Notation Entering Notes from the TAB Staff You can enter notes or chords directly from the TAB staff. To Regenerate TAB... 1. In the Staff view, use the Select tool to drag a rectangle around the notes or TAB numbers you want to change. 2. In the Staff view toolbar, click the dropdown arrow on the Staff View Layout button to display the tablature dropdown list. 3. Choose Regenerate TAB to open the Regenerate Tablature dialog box. 4. Select Fixed from the Method field and fill in values for Finger Span (usually 4), Lowest Fret, and Number of Frets (usually 21). 5. Click OK. Pro Audio regenerates a TAB based on your specifications.

  • CAKEWALK PRO AUDIO, 13-18 Backing Up Projects with Digital Audio A bundle Þle is a single Þle that contains all the informationÑexcept videoÑused in a project. A bundle Þle includes everything that is stored in a normal project Þle, plus all the digital audio that is used in the project. Use a bundle Þle when you want to: ¥ Make a backup copy of a project that contains digital audio ¥ Transfer a project containing digital audio from one computer to another Because a bundle Þle makes an extra copy of all the digital audio in your project, it will require extra disk space. Bundle Þles are not intended to be your primary means of storing a song. Bundle Þles have a Þle

  • CAKEWALK PRO AUDIO, 5-10 When you use drag-and-drop editing: ¥ You can set the above options every time you perform an edit, or you can set them once and have the same settings carry over automatically. Check or uncheck the Ask This Every Time box to indicate your preference. ¥ If you drag to the edge of the Clips pane, it will scroll automatically in the direction you drag. ¥ If you change your mind while dragging clips, press the Escape key to cancel the operation. Pro Audio also lets you move and copy clips between projects. To Move Clips Using Drag and Drop… 1. Select the clips you want to move. 2. If you want to move the clips by a

  • CAKEWALK PRO AUDIO, xviii of Pro Audio, be sure to turn to Appendix G to see a summary of the new features in Pro Audio Version 9. Registering Pro Audio Please be sure to complete and return the registration card in your product package or to register your product on our World Wide Web site (www.cakewalk.com). If you do not register, we cannot provide you with technical support, or inform you when upgrades become available. Getting Help In addition to this UserÕs Guide , Pro Audio includes online help that can provide you with quick reference information whenever you n

  • CAKEWALK PRO AUDIO, 15 Synchronization Synchronizing Your Gear Your computer is often used with other equipment: sound cards, MIDI equipment, and digital tape decks or other digital recording tools. All these devices can have their own built-in clocks or timing mechanisms. When several pieces of equipment are used together, itÕs important that they operate in synchronization. For this to happen, all the equipment must rely on the same source of clock or timing information. Pro Audio lets you use many different types of synchronization so that you can get your work done quickly and efÞciently In This Chapter Synchronization Overview . . . .

  • 5-33 Arranging To Erase Tempo Changes… 1. Select the tool. 2. Drag the mouse over the graph to highlight the region you want to erase. 3. Release the mouse button. Pro Audio deletes all tempo changes in the area you marked. The last tempo setting prior to the erased region is now in effect in that region. To Insert a Tempo Change in the List… 1. Select any tempo change in the list. 2.

  • xii SMPTE/MTC Sync and Full Chase Lock . . . . . . . . . . . . . . . 15-11 Troubleshooting SMPTE/MTC Sync . . . . . . . . . . . . . . . . . . 15-13 MIDI Machine Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15-14 16 Programming with Cal . . . . . . . . . . . . . . . . . . . . . . . .16-1 Creating and Running CAL Programs . . . . . . . . . . .

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