Earthworks SR25 Operation & User’s Manual
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Frequency response Polar Pattern Cardioid Sensitivity 1 0mV/Pa (-40 dBV/Pa) Power requirements 48V Phantom, 1 0mA Peak acoustic input 1 45dB SPL Output XLR (PIN 2+) Minimum output load 600Ω between pins 2&3 Noise 22dB SPL (A weighted) Dimensions L x D 6.5 x .860 inches ( 1 65mm x 22mm) Weight .35lb ( 1 60g) SR25 50Hz to 25kHz + 2dB @1’ Frequency response Polar Pattern Sensitivi
Earthworks SR25, Congratulations on your purchase of the Earthworks DFK1 FullKit™ High Denition Multi-microphone Drum System. You will be thrilled with the results you will be able to obtain using the DFK1 Drum FullKit™ Sys- tem. After reading this manual, if you have any unanswered questions, please email or phone us using the contact information on the back page of this manual. Happy Drumming! Please verify that you have received each of the items listed below. Items Enclosed with: DFK1 Drum FullKit™ System 2 – SR25 Cardioid Microphones 2 – SR30 Cardioid Microphones 5
Earthworks SR25, IMPORTANT NOTICE - Please Read This: Use of the LevelPad™ - The DP30/C microphones have a high output level, which may overload the preamps of some mixers or consoles. Many out- board microphone preampliers and preampliers in mixing consoles will handle as much as +24dbv at the microphone input, without distortion. We suggest that you check the “maximum preamp input level” specications of your mixer or preamplier to see if it will accommodate signal levels this high. Some mixer
Earthworks SR25, We also suggest that you place the microphone approximately 2 to 3 inches from the edge of the high-hat cymbals (see Fig 12). Figure 12 Miking a High-hat (top view) Using the KickPad™ The KickPad is a passive signal processor that requires no phantom power and will not interfere with the phantom power for your microphone. It can be inserted directly into the XLR connector on the microphone, or somewhere in the mic line between the microphone and the mixer input, or, it can be plugged directly into the microphone input of the mixer. A good kick drum microphone must
Earthworks SR25, Earthworks Drum Periscope ™ Microphones The Earthworks DrumKit™ High Denition Three-Microphone Systems have had great success because they pick up drum sounds with far more de- tail and accuracy than conventional microphones. This improved sound qual- ity is due to proprietary advanced technologies utilized in Earthworks High Denition Microphones. Many drummers such as Je Campitelli with Joe Satriani, Keith Carlock with Steely Dan, and FOH engineers such as Randy Lane with Dream The- ater, were using Earthworks High Denition Microphones™ for overheads and kickdrum with exceptional results. They then wanted the same excep- t
Earthworks SR25, 13 Figure 9-A Figure 9-B Horizontal X/Y Positioning Vertical X/Y Positioning Figures 9-A and 9-B show two variations of X/Y microphone placement. For microphone “height” we suggests that you start with the microphone approximately 2 feet above the drummer’s head. Moving them down will provide more detail, while moving them higher will capture a wider over-all image along with more room sound. Both the horizontal and vertical X/Y positioning will provide excellent results in a drum booth or an acoustically tre
Earthworks SR25, high frequencies on the sides of the microphone. This is why you cannot place three singers on a conventional microphone, the one in front of the mic sounds great, but the two on the sides have a dramatic loss of qual- ity. These drastic changes in high frequency response on the sides of the microphone cause phase differences, and these are the root cause of phase cancellations with conventional microphones. In contrast, Earthworks has a patented polar technology that provides our microphones with the same frequency response on the sides of the microphone as it does at the front (no more than a 3dB loss at any
Earthworks SR25, 8 Soft Polyolefin® Coated Metal Bracket Rubber Holder Delrin® Cushioned Rim-guide Hook Portion of Bracket Thumbscrew Mounting the RM1 RimMount to the Drum The RM1 RimMount is designed for metal drum rims, and will not work on wooden drum rims. While reading this section, please refer to Figure 4-A, which refers to the various elements of the RimMount™. Mounting the RimMount to the drum rim is quite easy. First, unscrew the thumbscrew so there is more than enough space for the Delrin® cushioned rim-guide to clear the bottom of the drum rim. Then determine where on the drum rim you want t
9 The various types of metal drum rims may have the bottom flange of the rim either closer to the shell or further from the shell. Depending upon the type of metal drum rim, one of the previously described three posi- tions will allow the RimMount bracket to be mounted parallel to the drum shell. The soft protective Polyolefin® coating on the RimMount bracket will
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