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ARRI ALEXA Pocket Manual

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ARRI ALEXA User Manual
ARRI ALEXA User Guide
ARRI ALEXA Online Manual

Text of ARRI ALEXA User Guide:

  • ARRI ALEXA, 37 Output Options Camera Parameter Description FCP XML* QuickTime Atom SUP 3.0/3.1 QuickTime Atom SUP 4.0 Sensor Fps Frame rate of camera sensor x x Shutter Angle Shutter angle of camera sensor x x White Balance White Balance set on camera x x White Balance CC Shift White Balance Green/Magenta CC Shift set on camera x x Exposure Index Exposure Index set on camera x x x SxS Gamma Gamma set on camera for SxS recording x x x Camera Model ARRI ALEXA x x Camera ID A-Z unit information x x Camera Serial Number Serial number of camera encoded as Base36 (also used in Reel name) x x Camera SUP Software upd

  • ARRI ALEXA, 28 2880 x 1620 ARRIRAW, 12 bit 1920 x 1080 4:4:4 RGB, 10 bit 1920 x 1080 4:2:2 YCbCr, 10 bit 1920 x 1080 4:2:2 YCbCr, 10 bit 1920 x 1080 ProRes 4444, 12 bit 1920 x 1080 ProRes 422 (HQ), 10 bit 1920 x 1080 ProRes 422, 10 bit 1920 x 1080 ProRes 422 (LT), 10 bit 1920 x 1080 ProRes 422 (Proxy), 10 bit 2x SxS Cards 2x REC OUT 1x MON OUT T-Link HD-SDI QuickTime HD-SDI Output Options Output Options Output Overview

  • ARRI ALEXA, 44 Technical Data Upgrades The Storage Interface Module (currently available for SxS PRO cards) can be exchanged for future storage modules. The Electronics Interface Module (available as either regular ALEXA or ALEXA Plus versions) can be exchanged for future control electronics. Exchangeable Lens Mount (ELM) allows other lenses beyond PL mount lenses to be used. Simple camera software updates. All technical data based on Software Update Packet (SUP) 3.1. All data subject to change without notice.

  • 23 Operation SHUTTERCOLOR EI AUDIO FPS set Sensor Speed (0.75 fps - 60fps; 24fps) add/delete value SxS Codec (MENU > RECORDING > SxS CARDS) SxS Info (INFO > SxS CARDS) REC OUT (MENU > RECORDING > REC OUT) set ExposureIndex (160ASA - 3200ASA; 800ASA) set Gamma for SxS (REC709, DCI P3, LOGC) REC OUT (REC709, DCI P3, LOGC, ARRIRAW) MON OUT

  • ARRI ALEXA, 3 Table of Contents Gamma Settings Restrictions 35 Metadata Overview 36 Technical Data 38 ALEXA 38 ALEXA Plus 45 Dimensions 46 ALEXA 46 ALEXA Plus 49 ARRI Lenses 52 ARRI/ZEISS Master Primes 52 ARRI/ZEISS Ultra Primes 54 ARRI/ZEISS LDS Ultra Primes 56 ARRI/Fujinon Alura Zooms 58 ARRI/ZEISS Master Macro 100 60 Resources and Contacts 62 Service Contacts 62 Sales Contacts 64 Internet Resources & Tools 66 ALEXA

  • 55 ARRI Lenses Horizontal Angle of View Entrance pupil (6) DIN Super 35 (9) ID = 30.00 mm (7) ANSI Super 35 (10) ID = 31.14 mm (7) 112.0° 114.0° 207.2 mm / 0.680" 100.2° 102.1° 172.2 mm / 0.565" 90.2° 92.6° 165.4 mm / 0.543" 80.6° 82.6° 143.3 mm / 0.470" 73.0° 75.2° 137.2 mm / 0.450" 62.8° 65.0° 125.3 mm /

  • ARRI ALEXA, 24 Operation WRS get pixel to pixel view (for permanent press ZOOM + EXP) false color exposure check (for permanent press EXP + ZOOM) C A M E V F ZOOM EXP STATUS Channel: 0 Units: 0 On/Off PLUS CAM > WRS WRS radio power (On/Off) WRS radio channel (0-7) RADIO STATUS READOUT FROM SENSORS Tilt: 0.0° Roll: 0.0° CAM LEVEL > CALIBRATE use to reset your null balance CAM LEVEL LDS READOUT Tilt: 0.0° Roll: 0.0° Status LENS DATA displays FOCAL LENGTH, IRIS, FOCUS and DoF close/far OPTIONS Lens distance unit (M

  • ARRI ALEXA, 56 ARRI Lenses ARRI/ZEISS LDS Ultra Primes Name Lens Mount (1) Aperture Close focus (2) Length (4) Front diameter (5) Weight Normal 35 (8) ID = 27.20 mm (7) Ultra Prime 12 PL LDS T2.0 to T22 0.30 m / 11.8" 140 mm / 5.5" 156 mm / 6.1" 2.2 Kg / 4.8 lb 85.2° Ultra Prime 14 PL LDS T1.9 to T22 0.22 m / 8.7" 112 mm / 4.4" 114 mm / 4.5" 1.8 Kg / 4.0 lb 75.6° Ultra Prime 16 PL LDS T1.9 to T22 0.25 m / 9.8" 94 mm / 3.7" 104 mm / 4.1" 1.5 Kg / 3.3 lb 70.8° Ultra Prime 20 PL LDS T1.9 to T22 0.28 m / 11" 91 mm / 3.6" 104 mm / 4.1" 1.5 Kg / 3.3 lb 58.4° Ultra Prime

  • ARRI ALEXA, 66 Resources and Contacts ALEXA Data Sheet http://www.arri.com/downloads/alexa Frequently Asked Questions http://www.arridigital.com/alexa/faq ALEXA Manual http://www.arri.com/downloads/alexa Color Processing White Paper http://www.arri.com/downloads/alexa Quantel Digital Fact Book http://www.arridigital.com/technical/digitalfactbook Digital Camera Basics http://www.arridigital.com/creative/camerabasics ALEXA Online Simulator http://www.arridigital.com/technical/simulator ALEXA Frame Line Composer http://www.arridigital.com/technical/aflc ALEXA LUT Generator http://www.arridigital.com/technical/luts In

  • ARRI ALEXA, 43 Technical Data HD-SDI outputs, including ARRIRAW T-Link. Max of 2.5 dBm output from AUDIO OUT headphones connector. Connectors 2x slots for SxS PRO cards (SxS) 2x BNC recording out HD-SDI, 1.5G/3G switchable (REC OUT 1 and REC OUT 2) 1x BNC monitoring out HD-SDI 1.5G (MON OUT) 1x XLR 5 pin audio in (AUDIO IN) 1x BNC return signal/sync in HD-SDI 1.5G (RET/SYNC IN, functionality avail- able in future software update) 1x LEMO 16 pin external accessory interface (EXT) 1x Fischer 2 pin 24 V power in (BAT) 2x Fischer 3 pin 24 V remote start and accessory power out (RS) 1x LEMO 2 pin 12 V accessory power out (12 V

  • ARRI ALEXA, 11 Exposure Depending on the subject matter in front of the camera, you can use regular ND filters up to an ND 0.9. Beyond that, we recommend the use of ND filters that also attenuate the far red spectrum or the use of ND filters plus a separate filter that attenuates the far red spectrum. The use of only ND filters beyond ND 0.9 can lead to some black fabrics, especially synthetics, being recorded with a reddish/brown tint. The denser the ND filter in front of the camera, the more important it is to also attenuate the far red spectrum. Filters that reduce the far red spectrum, as well as such filters in combination with ND filters, a

  • ARRI ALEXA, 25 Operation WRS get pixel to pixel view (for permanent press ZOOM + EXP) false color exposure check (for permanent press EXP + ZOOM) C A M E V F ZOOM EXP STATUS Channel: 0 Units: 0 On/Off PLUS CAM > WRS WRS radio power (On/Off) WRS radio channel (0-7) RADIO STATUS READOUT FROM SENSORS Tilt: 0.0° Roll: 0.0° CAM LEVEL > CALIBRATE use to reset your null balance CAM LEVEL LDS READOUT Tilt: 0.0° Roll: 0.0° Status LENS DATA displays FOCAL LENGTH, IRIS, FOCUS and DoF close/far OPTIONS Lens distance unit (Metric, Imperial, Default Unit) Circle of confusion (0.013/0.025/0.035/0.050mm) LENS DATA CLM STATUS displays T

  • ARRI ALEXA, 64 Resources and Contacts Americas ARRI Inc. (Sales & Service) 600 North Victory Blvd., Burbank, CA 91502-1639, USA Vice President: Bill Russell, [email protected] Tel: +1 (818)841 7070, Fax: +1 (818)848 4028 ARRI Inc. (Sales & Service) 617 Route 303, Blauvelt, NY 10913-1109, USA Vice President: Jürgen Schwinzer, [email protected] Tel: +1 (845)353 1400, Fax: +1 (845)425 1250 Europe, Middle East, Africa, India Arnold & Richter Cine Technik GmbH & Co. Betriebs KG (Headquarters, Sales & Service) Türkenstraße 89, D-80799 Munich, Germany salessup

  • ARRI ALEXA, 31 Output Options Aside from the ARRIRAW output, which contains no color processing, ALEXA can output images with four different color processing methods (commonly called ‘gamma’) applied. Thus ALEXA can provide the appropriate image format for a wide range of workflows from feature films to television. • Log C (film matrix off) is a Log C signal with a wide gamut color space. This option provides great flexibility in color grading, as it preserves the most color information in the recorded image. However, you should be aware that Log C is an intermediate color format and not designed as a display standard. Viewed on a regular v

  • ARRI ALEXA, 61 ARRI Lenses Weight Horizontal Angle of View Entrance pupil (6) Normal 35 (8) ID = 27.20 mm (7) DIN Super 35 (9) ID = 30.00 mm (7) ANSI Super 35 (10) ID = 31.14 mm (7) 2.6 kg / 5.7 lbs 12.42° 13.52° 14.02° -77,139 mm / -3.0" The entrance pupil (often mistakenly called „nodal point“) is the center of perspective; moving the camera/lens system around the center of the entrance pupil prevents parallax errors. While largerly irrelevant for live action, this measurement is important for special effects work. All data subject to change without notice. (9)

  • 21 Operation SHUTTER COLOR EI AUDIO FPS set Sensor Speed (0.75 fps - 60fps; 24fps) add/delete value SxS Codec (MENU > RECORDING > SxS CARDS) SxS Info (INFO > SxS CARDS) REC OUT (MENU > RECORDING > REC OUT) set ExposureIndex (160ASA - 3200ASA; 800ASA) set Gamma for SxS (REC709, DCI P3, LOGC) REC OUT (REC709, DCI P3, LOGC, ARRIRAW)

  • ARRI ALEXA, 59 (10) Horizontal (H), vertical (V) and diagonal (D) angles of view for the Alexa 2K camera aperture (aspect ratio 1.78:1, 3072 x 1728 sensor pixels, dimensions 25.34 mm x 14.26 mm / 0.998" x 0.561") (11) Horizontal (H), vertical (V) and diagonal (D) angles of view for a DIN Super 35 Silent camera aperture (aspect ratio 1.33:1, dimensions 24 mm x 18 mm / 0.944" x 0.709") All data subject to change without notice. (7) The image diameter (ID) is the diameter of the image circle needed for the respective format. These lenses are designed for the largest ID given here. (8) Horizontal (H), vertical (V) and diagonal

  • ARRI ALEXA, 15 Operation Name Icon Description General Important information Warning waiting on the info screen. Press the INFO button for more info. General An error occurred. Error Press the INFO button for more info. Temperature Small sensor Warning temperature offset. Image quality might be affected. Temperature Large sensor Error temperature offset. Image quality might be affected seriously. Name Icon Description Lock Camera is locked. SD Card SD Card present. Turns orange wh

  • 13 Operation Home Screen Center Bar TC Displays current time code including source (INT=internal or EXT=external source). Frames are not displayed, instead the time base of the time code is shown in small digits. MASTER Camera is set to Ext sync: MASTER SLAVE Camera is set to Ext sync: SLAVE Settings sync is active BAT 1 Voltage level of power source present at BAT c

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